![]() I've tried all of the devices mentioned in the thread and do not find any perfectly overlap because your own needs can vary so much. Personally, I've performed an entire set with a DL4 and an SM58, because it is that solid. Another artist I know uses three Line6 DL4 sequentially. He gets serious audience draw and creates massive dreamscapes. Others made great suggestions, and I know one of the top performers around our town is simply modulating a Mimeophone alongside an Octatrack. This is why Reggie Watts still uses the DL4 to this day and his loops are not boring in the slightest between looping and delaying them on the same device. Stereo lets you connect a mic and guitar, or similar. You likely cannot afford to make a mistake when using the Cosmos or classics like the Line6 DL4, but they also allow you to not wait around to create the loop. The looping in the case of Cosmos is dependent on your imagination and technique. If you are able to perfectly loop on the first try you will enjoy this device, because it is made for live shows. In this case, the idea is you think of an idea and capture the loop on the first try. All that matters is that you are able to loop. If you do not know which to buy then keep in mind that the drift of the Cosmos is not that critical. If your goal is to have a looper then buy the best looper for you. My point here is that if you want Cosmos you should purchase Cosmos. In that case it sounds like you already know what you need. I'm not looking for plain old looping.what I find attractive is the loop(s) changing and evolving, like the Cosmos (and others) can do. There is also the very clean 4ms Dual Looping Delay for control over two loops. 4ms tapo and Coco are both excellent, but neither is used in the same way as the Cosmos. None of the tools are the same, especially in regards to actual looping. The design of the cosmos is the most practical for actual looping with your hands and feet on-stage. If the goal is strictly looping you'll need to ask yourself whether what you want is a foot pedal. But that's pretty expensive if you don't have those items around.Īll to say, the Cosmos is a perfect first looper and a really good proof of concept for considering other uses for equipment you have in a studio. And many samplers allow for CV control over pitch to slow the signal down. A matrix mixer is great for looping one looper around to another one, or back into itself.Ī lot of the modulation ideas of the Cosmos can be achieved with other modulation sources pitch and gates sent into a SSL FX Capacitor. So you can get very granular weird looping if you progressively slow something down, resample it through another looper, etc. Those ditto and donner loopers can slow down speed and reverse. So all three loopers can loop one another. The ingredients far exceed buying a Cosmos out right, but I have a third looper at the end of the chain with the two cheap loopers and route them all back and forth with a matrix mixer. I felt the same kind of idea of "before I buy something new, what do I have around here that can do similar?" when the Cosmos was introduced. I didn't want to go deep into my looping scheme with a two looper suggestion - which is more the beginning of an answer than an outright 'all you need' suggestion. But if you do, it might be worth experimenting with. ![]() If you don't already have all of those bits (mixer, several loop pedals, etc.), then it might not be a cost-effective alternative. And you need to use your hands to adjust the routing and control the mix. This was a pretty fun setup, but I can't say how close it was to the Cosmos. I fed these back into main mixer inputs, so that I could send from one to the other. If I remember correctly, I ran my Lyra 8 directly into a Boss DD-8(?) that has a looper setting and then into the mixer, then I had two separate loopers on aux sends: an RC-5 and a tape loop on a little cassette recorder. When the demo videos for the Cosmos started coming out (a while ago now), I wanted to see if I could do something similar with stuff that I already had in my setup. You can get Donner or Ditto loopers for very cheap. Go slowly with it to keep from making a swamp of sound but it's really flexible. ![]() Uneven looping rhythms develop if you set them each at different timing. Using two cheap guitar pedal loopers together is a great solution.
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